I kept hearing echoes of Beller while reading Ensmenger and
Hogan. Their framings of the environmental materiality of digital technologies both
rely on notions of the subterranean, the invisible (and often actively hidden),
the repressed: a kind of unconscious. This can be read as a kind of base/superstructure
model, where the material base is concealed by metaphors of immateriality. In
Ensmenger’s case, this comes from his discussion of the geographically layered infrastructures
upon which digital technologies rely: the power grid, layered on transportation
and navigation systems. From the STS perspective articulated by Star (who he cites),
infrastructures are invisible and only become invisible upon breakdown (at
least in Western “developed” contexts). It also emerges in his discussion of
the erasure of global labor in the production of technologies and e-waste; the production,
use, and disposal of digital devices are all environmental in ways that require
excavation. (Though they are, perhaps, far less hidden to the people engaged in
mining and manufacturing, and who live among toxic waste—though not always, as
his discussion of Silicon Valley Superfund sites suggests.) There is a conceptual
separation maintained between technology and environment, even as they shape
one another.
In Hogan’s discussion of Facebook as archive, the company’s
reliance on data centers is described as the material “underbelly.” Hogan brilliantly
connects users’ self-archiving behavior to the company’s physical imprint via
discussion of Facebook’s model of data collection:
The problem with this archive is
that aggregation says more about us than we consciously know we are making
available. Tracking at all these levels demonstrates the extent to which the
social network itself generates a parallel archive, of movement, recording the
interactions of the network itself, as a simultaneous—but exponentially
bigger—living archive. (p. 10)
Users are thus doubly unconscious of how they are being tracked
and the material basis of that tracking, even as Facebook collects and stores
vast quantities of data in very physical spaces. Hogan thus draws links between
content (user behavior) and its material base (data storage).
Parikka’s conceptualization of medianatures (elaborating on
Haraway’s naturecultures) seeks to perform a similar move to Hogan’s piece. In
his introduction to Medianatures, Parikka discusses Serres’s “two
regimes of pollution, where the hard pollution is the destruction of nature,
while the soft pollution involves the destruction of the world of signs.”
Parikka seeks to link the two: “the ‘hard’ regime of entropic energy
consumption and production of not just things, but also of material waste; and
the immaterial regime of semiotics and signs – what we usually call media.” In
this, he is bridging not only the software/hardware binary but also situating
both in their broader material context.
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